The amount of times men in this tale tell women they’ll sexually assault them or go ahead and do it is alarming and too much to get the point across. Nor do the characters, especially the men, who seem to have nothing better to do than to harass every woman they come across. Even Ritu Varma’s character Gummadi Varalakshmi – the VRO of the village, Aishwarya Rajesh’s character Chandra, Daniel Balaji’s character Veerendra Naidu and Thiruveer’s character Tirumala Naidu meet the same fate.ĭialogues that state, “ Vadi tuck laageyara, nen deeni paita lagesta,” (You untuck him and I’ll unrobe her) don’t make it any better. They’re one note where every character has one job and relationship to fulfil and that’s all they aim to do. None of this makes for an interesting watch though.īhudevipuram seems to have people that run high on emotions and yet come across as flat as cardboard cut-outs. What ensue are very relatable tales of quarrels between siblings over properties and opinions that cannot be unsaid. His brother Bose Babu (Jagapathi Babu) is expected to take over from his father Aadisesh Naidu (Nasser) and look after the family by keeping them together. Since a young age he has always tucked his shirts in and there’s a reason for it. He’s sensitive towards animals and extra sensitive towards his family, especially the women. He’s loved by his father, step-mother, four siblings and nieces. Tuck Jagadish (Nani) is the youngest son of the family. ![]() While initially it seems like there are parts of the story he’s willing to delve deeper into, the film suffers from wanting to do justice to every relationship and failing to do it for any of them. Review: Shiva Nirvana forgoes his usual love triangles ( Ninnu Kori, Majili) for a family drama that fails to take off. When Jagadish’s family faces the same fate, he needs to save the day before it’s too late. I just don't understand one thing: why Telugu films are still giving twisting villain roles to Jagapathi babu since the audience already knows that he'd be the villain eventually and so the twist gets broken in the first scene that he comes onto the screen, I just cannot get my head around this idea of these Telugu filmmakers thought process at all.Story: Bhudevipuram has a long legacy of families warring over ancestral land and even going as far as to killing each other for it. And yeah the actors being all famous/popularly known faces, the content gets some weightage from that area as well. By this, I don't say that the film was very interesting & engaging and all, but it is a good one-time watch for family drama emotional audience/fans. ![]() If you remove Nani from this film, I think it would've been one of those long lists of Telugu disastrous films. The plot was the usual Telugu family commercial drama with some emotional content but again the emotional content is emoted in us only by Nani. Nani is one such actor whose acting feels very very natural in a given character, I don't know what but he definitely is doing something, tricking us in making us not even think about that. There are also some sequences which highlight the heroism in Nani and they are comfortable as well. There is very little comedy in this film and he does justice for the emotions that are needed from him within the character boundaries. He is one actor who excels in comedy and emotional sequences. Everything becomes predictable and boring. In many places, we feel like we are seeing familiar scenes. We get to see many things happening without purpose. It happens in the case of everyone, even the heroines and Jagapathi Babu. We see characters coming and disappearing without purpose. ![]() The multiple characters conflict with the screen time. But then, the good things end there itself. The names, the casting, and the village setup gives us an honest feeling. Director Shiva Nirvana got a huge casting and gave relatable names to them. ![]() Review By Kamal K Tuck Jagadish is a film predominantly made to remind us about the beauty of joint families, the sensitive issues in villages which brings divide among the people etc.
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